Page 8 - The Islander - February '22
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Page 8, The Islander


                                                           theatre happeningS




                                                         Rex Recommends


                                                                           By Rex Hearn

         February  and  the  arts                          Minnesotan Alexandra Razskazoff is Gianetta, her friend,   dance troupe from Philadelphia hit the boards from Feb. 11 to
      are in full swing. The fast                       the “richly faceted silky sounding soprano” (New York Times).   13, Friday, Saturday, and Sunday at 7:30 p.m. in the Rinker
      spreading Omicron bug is                          Russian baritone Alexey Lavrov sings Sergeant Belcore. And   Playhouse representing the human spirit through dance. The
      trying to put a damper on                         bass-baritone Musa Ngqungwana, “a rich glowing singer   delightful soprano Audra McDonald appears on Monday, Feb.
      the proceedings but with                          with an elegant legato” (New York Times) from South Africa   14 at 8 p.m. Take your valentine – it’s bound to be good. Miami
      protocols in place, artistic                      sings Dr. Dulcamara, who sells the elixir, otherwise known   City Ballet presents Swan Lake on Feb. 19 and 20 – music by
      directors are determined to                       as burgundy wine! David Stern conducts; Greg Ritchey is the   Tchaikovsky, choreography by Alexei Ratmansky; both days
      win – by filling seats! Palm                      chorus master and Fenlon Lamb directs. For tickets telephone   Saturday and Sunday at 1 and 7:30 p.m. On Feb. 25 and 26
      Beach Opera celebrates 60                         the box office: (561) 833-7888 or book online: pbopera.org.  in Persson Hall, celebrate the wit and wisdom of the Great
      years in 2022 and the 90-piece                    Palm Beach Symphony                                American Song Book. Showtimes are Friday at 8 p.m. and
      Palm Beach Symphony ranks                            Monday, March 7 at 7:30 p.m. in Dreyfoos Hall at the   Saturday at 8 p.m.: A special surprise will be presented here!
      among  America’s  great                           Kravis Center sees their fourth concert of the season. With      On Monday, Feb. 28 in the Regional Arts Classical Concert
      orchestras now. The Kravis                        Portuguese piano soloist, Maria Joao Pires playing Beethoven’s   Series at 8 p.m. the great concert violinist, and all American,
      Center offers a cornucopia of wonderful entertainment.  Piano Concerto No. 3 and Mahler’s Symphony No. 4 conducted   Joshua Bell conducts and plays with London’s Academy of
      Palm Beach Opera                                  by Maestro Gerard Schwarz. Box Office: (561) 281-0145.  St. Martin-in-the-Fields. Then again on Tuesday, March 1
         From Feb. 25 to 27 the opera’s third offering in their 60th   The Kravis Center                   at 2 p.m. the same team presents a second different concert.
      year is Donizetti’s harmless, amusing and sweet work, The      The Lloyd-Webber musical Cats goes up from Feb. 8 to   Do not miss them. March 2, a Wednesday, the Kravis Center
      Elixir of Love. Guatemalan tenor Mario Chang who sounds   13; Tuesday, Thursday and Friday at 8 p.m.; Wednesday and   Pops Orchestra appears with that darling of the social set, Mr.
      like a young Domingo sings the famous Una Fortuna lagrima   Saturday at 2 p.m. and 8 p.m.; and Sunday at 2 p.m. In the   Michael Feinstein, who conducts and sings. Also, the other
      aria in Act ll. Adriana Cuchman is his love interest, Adina;   Young Artists Classical series, Anthony Trionfo, flute, gives a   excellent, upcoming local dance troupe, Ballet Palm Beach,
      from Canada she is a rising star having sung soprano roles at   recital on Wednesday, Feb. 9 at 7:30 p.m. Pianist, Albert Cano   present Giselle from March 4 to 6. Contact the box office at
      The Met.                                          Smit, accompanies. Next! Philadanco, the innovative modern   (561) 832-7469.

                                                               Rex’s Review


                                             Brilliance All Around At Palm Beach Symphony


                                                                        Review by Rex Hearn
      Kravis Center Concert, Jan. 10                     the 5th Symphony celebrated the 20th anniversary of the      Palm Beach Symphony gave the 5th Symphony a
         This orchestra gets better and better. Ninety players   Russian Revolution. Stalin was pleased. Honors were   stirring and brilliant reading led by Maestro Schwarz.
      with astonishing pedigrees reminded us how great they can   poured on  Shostakovich,  but  his  greatest international      Their next concert will be on Monday, March 7 at
      sound. In music by three Russians: Liadov, Rachmaninoff   recognition came with the war symphonies, Numbers 7,   7:30 p.m. featuring Beethoven’s Piano Concerto No. 3
      and Shostakovich they shone like a bright new penny,   8 and 9, demonstrating his capacity for tragedy and ironic   and Mahler’s Symphony No. 4.
      each section brilliant when their solo time came. Due to   humor.
      the COVID pandemic I watched them reluctantly “live
      streamed” in my home, dreading the “sardine tin” sound
      effects experienced before in such situations. Happily
      it was not the case. The sound was delightful. Balance
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      favored the lower registers, perhaps. A real bonus was
      watching the conductor, Gerard Schwarz, from his front.
      Cameras fixed on him and orchestra members. What we       Happy Holidays
      saw and heard was magnificent. Schwarz belongs with
      the immortals; his baton technique is impeccable, crisp,
      deliberate and masterful. Dale McNulty, of happy memory
      did us all a favor by appointing Maestro Schwarz as
      music director before he died. In the sometime snobbish
      world of conducting, five-syllable names appear to get
      the job. Boston’s Kousevitsky; Philadelphia’s Stokowski      WISHING ALL A JOYOUS & HEALTHY HOLIDAY SEASON
      for instance; though Stokowski was originally Leopold         MAY THE NEW YEAR BRING YOU “MANY BLESSINGS”
      Stokes, an organist from London! What I’m trying to say
      is that Maestro Schwarz might easily have led one of our
      great five orchestras with a name change. Instead he has
      created his own great orchestra, and we are fortunate to       I want to thank all my clients and new friends for a
      be in at the beginning.                                         successful 2021 year. Together we can make the
         Yefim Bronfman played the Rachmaninoff  Piano
      Concerto No. 3 after the dazzling  Kikimora piece full       New Year all that you want it to be, you can count on
      of orchestral brilliance and mayhem which opened the         my continued commitment to excellence & integrity.
      program. Written in 1908, pianist-composer-conductor
      Rachmaninoff scored it for his lucrative American debut
      where in 1909 he played it twice in New York City:
      on Nov. 28 with the New York Symphony and later
      with the New York Philharmonic under Gustav Mahler.                 JUST SOLD

      Bronfman’s  brilliant  technique  is  unquestionable,  and
      was well received but from my point of view he seemed                IN SUGAR SANDS
      to be rushing to get to the end. It is fiendishly difficult   Building 1051 | Unit 357
      to play. Very little emotional feeling came across from                     $567,500.00
      the pianist for a piece deliberately written bearing the   An exceptional waterfront community,
      stamp of high romanticism in its sunset years. The great   considered a hidden gem on Singer
      Shostakovich Symphony No. 5 brought the concert to a          Island, just steps to the ocean.
      close. Written in a grand conciliatory sober mood to please
      Marshall Stalin, who, two years earlier had walked out of
      Shostakovich’s opera Lady Macbeth of Minsk describing
      it as muddle instead of music. Marked Opus 47 of 1937
                                                                                  Bill Conda REALTOR                  ®
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