Page 14 - Boca Exposure - April '23
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Page 14, Boca Exposure
      Paintings By Latin American Master



      Oswaldo Vigas At Boca Museum Of Art



         The  Boca Raton                                 living in Paris during
      Museum of  Art is                                  the  1950s  and  1960s
      currently  exhibiting                              (especially Picasso,
      Oswaldo Vigas:                                     who encouraged Vigas
      Paintings Between                                  to reflect on notions
      Latin America, Africa,                             of  ancestry  in  his
      and Europe (on view                                work). Vigas was the
      through May 21), a                                 first artist to represent
      collection of works                                Venezuela at the Venice
      by the Latin American  A young Oswaldo Vigas with Picasso   Biennale when its
      master  which  he  at the Spanish master’s studio, Villa   national pavilion was
      created in  Paris in  La Californie, near Cannes, South   inaugurated  in  1954,
      the  1950s,  and  in  of France, 1955              and  again  in  1962  to
      Venezuela from 1969                                organize the Venezuelan
      to 1976. The exhibition is an homage to the artist by his   se c t i o n .  He  wa s
      son, the award-winning filmmaker Lorenzo Vigas – as an   successful  in  France,
      intimate lens through the eyes of their father-son relationship,   where his works were  El Alacrán (1952). Oil on canvas
      honoring the launch of the new catalogue raisonné of his   exhibited  alongside
      father’s work. The exhibition features several works that   artists  Jean Arp,
      have never been exhibited before in the United States. The   Chagall, Giacometti,
      paintings are on loan from the Oswaldo Vigas Foundation.  Laurens,  Magritte,
         One of Venezuela’s most prolific and influential painters   Matisse and others.
      of the 20th century, Oswaldo Vigas (1923 to 2014) was      Vigas returned
      recognized for his vision of the Americas. When interviewed   permanently to
      in the 1950s and 1960s, Vigas compared his art to his   Venezuela after 12 years
      birthplace: “The Americas are a cosmos. Our continent is   because he passionately
      full of dark signs and warnings: telluric signs and magic   yearned to  contribute
      that are deep components of our condition. At the same time   to his own country’s art
      that they reveal something, these symbols also compromise   scene  by  utilizing  the
      us in a disturbing world of effervescence. The intention of   knowledge he gained
      my painting is to reach them, interpret them, and translate   in Europe. Some say
      them into new warnings. My paintings are halfway between   this move prevented
      Latin America, Africa, and Europe.” Vigas is known for   him from gaining the
      his singular vision that takes inspiration from his pride   international traction                              Hierática (1970). Oil on cardboard fixed on
      in his Mestizo identity, alongside the history, mythology,   of his contemporaries  Orgánico (1969). Oil on canvas  plywood
      and ancient art of Venezuela, mixed with influences from   in Paris from that era.
      European modernism.                                   This new exhibition at the Boca Raton Museum of Art   and North American modernism. He dedicated his entire life
         Vigas is celebrated as a towering figure of modernism   is a labor of love for the artist’s son, Lorenzo, winner of the   to creating art, and never stopped painting until the final day
      in Latin America, with a career spanning seven decades.   prestigious Golden Lion Award at the Venice International   of his life,” adds Lorenzo.
      His first solo exhibition in the United States was in 1958   Film Festival in 2015. He subsequently directed a 2016      Vigas’ work is represented in numerous institutions,
      in Washington, D.C. Described as “an artist who bridged   documentary about his father’s life entitled The Orchid   including: the Museum of Fine Arts, Houston; the San
      the gap between pre-Colombian iconography and the   Seller (El Vendedor de Orquídeas) and was recently deeply   Francisco Museum of Modern Art; the Michigan State
      experimental art movements of the 20th century,” Vigas   involved in the creation of his father’s online catalogue   University Art Museum; the Art Museum of the Americas,
      received the International Association of Art Critics   raisonné. “The film about my father asks us to reflect on the   OAS, in Washington, D.C.; the Avon Collection, in New
      Award twice (in 2008 and 2014), and was the recipient   passage of time, the importance of memories, and above all   York; in France – Musée Jean Lurçat et de la Tapisserie
      of the Latin Union Award in Washington, D.C. in 2004.   on the origin of the impulse to create,” says Lorenzo. “My   Contemporaine in Angers; Musée Des Beaux Arts D’Angers;
      “For south Florida audiences, at the crossroads here of   father’s art was always woven with the primeval roots of   and Musée Des Beaux Arts in Reims; in Colombia – Museo
      the contemporary Latin American experience, this new   Latin American culture, yet he is no longer viewed merely   de Arte Moderno; and Museo de Arte Contemporáneo El
      presentation of the work of Oswaldo Vigas takes on a whole   as a ‘Latin American artist’ – he is now acknowledged as a   Minuto de Dios; in Peru – Museo de Arte Contemporáneo
      new meaning at this time in American culture,” says Irvin   modern universal artist.                 in Lima; in Chile – Museo Nacional de Bellas Artes; in
      Lippman, the executive director of the Boca Raton Museum      “Through his work, he reinstated our continent’s pre-  Uruguay – Museo Ralli in Punta del Este; and in numerous
      of Art. “We are thrilled to partner with the Oswaldo Vigas   Columbian roots and African heritage with vibrant European   important private collections worldwide.
      Foundation, and to welcome the artist’s widow and son
      to usher in the opening of this powerful exhibition,” adds
      Lippman.
         The new Oswaldo Vigas  catalogue raisonné may
      be viewed online at catalogue.oswaldovigas.com. The
      catalogue was researched by the Oswaldo Vigas Foundation
      with the support of Axel Stein, the former head of the
      Latin American Art Department of Sotheby’s. The first
      online catalogue raisonné of any Venezuelan artist, this
      valuable resource will allow scholars, curators, collectors      Upscale Resale
      and the public to access information about the artist. The
      catalogue includes over 3,000 paintings, gallery and museum   Experience The Difference
      history, and publications detailing the artist’s trajectory.
      The catalogue provides a clear understanding about Vigas’   New and consigned furniture, unique lighting, accessories and gifts.
      first works regarding his vision of the Americas, and his   Complete wallpaper and fabric library for all your design needs.
      period spent in Paris which resulted in his famous Central
      University of Venezuela (UCV) murals (now listed as a
      UNESCO World Heritage site), and the numerous works
      he created before his death in Venezuela in 2014.
         A self-taught painter and muralist, Vigas’s work includes
      paintings, sculptures, prints, drawings, ceramics and
      tapestries. The artist was featured in more than 100 solo
      exhibitions and is represented in numerous public institutions
      and private collections around the world. He identified as
      Mestizo, a South American term for a person of mixed
      indigenous and Spanish heritage. As a child, he was keenly
      interested in the pre-Colombian artifacts and petroglyphs in                Call us to sell. See us to buy.
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      Calder, and Lam, and he became close to these artists while
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